By Adrienne Fried Block
Amy Marcy Cheney seashore (1867-1944), the main generally played composer of her new release, was once the 1st American lady to prevail as a writer of large-scale paintings tune. Her "Gaelic" Symphony, given its prime through the Boston Symphony Orchestra in 1896, used to be the 1st paintings of its style through an American lady to be played through an American orchestra. just about all of her greater than three hundred works have been released quickly when they have been composed and played, and at the present time her tune is discovering new advocates and audiences for its power, depth, and sheer good looks. but, before, no full-length serious biography of Beach's existence or accomplished severe evaluate of her song existed. This biography admirably fills that hole, absolutely analyzing the connections among Beach's existence and paintings in gentle of social currents and dominant ideologies. Born right into a musical family members in Victorian occasions, Amy seashore begun composing as a baby of 4 and used to be both talented as a pianist. Her expertise was once well-known early through Boston's top musicians, who gave her unqualified aid. even supposing seashore believed that the lifetime of a certified musician used to be the single lifestyles for her, her mom and dad had raised her for marriage and a occupation of novice music-making. Her reaction to this parental (and later spousal) competition was once to discover artistic methods of attaining her target with no direct disagreement. Discouraged from a full-scale live performance occupation, she in its place discovered her m?tier in composition. luck as a composer of paintings songs got here early for seashore: certainly, her songs outsold these of her contemporaries. however, she was resolute to split her paintings from the genteel parlor tune ladies have been writing in her day through growing large-scale works--a Mass, a symphony, and chamber music--that challenged the authorised concept that girls have been incapable of making excessive artwork. She gained the consideration of affiliates and the allegiance of audiences. many that praised her paintings, besides the fact that, thought of her an exception between ladies. Beach's response to this used to be to affix with different girls composers of significant tune by means of selling their works together with her personal. Adrienne Fried Block has written a biography that takes complete account of problems with gender and musical modernism, contemplating seashore within the contexts of her time and of her composer contemporaries, either female and male. Amy seashore, Passionate Victorian should be of significant curiosity to scholars and students of yankee tune, and to track fanatics in most cases.
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Extra resources for Amy Beach, Passionate Victorian: The Life and Work of an American Composer, 1867-1944
45 Of the Marcy sisters, Clara was the stayat-home; and after her marriage, she took her mother into her home, thus incorporating into the household an earlier and possibly even stricter approach to child rearing. 46 While there, she met Lyman Hinckley Clement (1840 — 1922), the son of a minister and sometime lumber dealer and conductor on the Massachusetts railroad. 47 Within two years after they had married in 1867, the couple put a continent between themselves and Henniker, settling for a half century in San Francisco.
This was not the sort of solo debut recital that became the rule in the twentieth century. Rather it was a variety program typical of the time and a much kinder way to introduce a debutante. The concert was organized by Alfred P. Peck in celebration of his twentieth year as manager of the Music Hall. The conductor of the orchestra, Adolph Neuendorff, came to this country from Germany at the age of eleven. A child prodigy in violin and piano, he later became a conductor, composer, and theater manager in New York.
Boston, considered by its civic leaders the Athens of America, boasted a rich cultural life and one of the finest musical communities in the country. Indeed, with the move from Chelsea to Roxbury, a musical feast was in store for Amy Cheney. J A PRODIGY DESPITE HER MOTHER IT WAS EXCITING TO BE IN BOSTON, a city whose leaders were devoted to the arts and to the city itself as a work of art. Boston used the years following the Great Fire of 1872 not merely to rebuild but to improve, to enhance, to make crooked streets straight, plan for broad avenues and parks, and to decorate with fanciful terra-cotta carvings, ornamental ironwork, and Victorian elaborations in wood.